Let me preface this by saying that I am a huge fan of Corey Taylor's vocal style. Good register, decent screaming, decent singing. Just soothing to listen to in any capacity. It's a good thing I like his voice because it's the only interesting thing on this whole album. The instrumentation, with the exception of the drums in the intro and chorus of Nylon 6/6, is very simple throughout the album. Whenever there was a guitar solo it oftentimes completely finished before I realized it was supposed to be a solo.
The album sounds like if you added an extra guitar to Daughtry's outfit and replaced him with Corey Taylor. Unfortunately, this leads to fairly generic tracks. Most tracks go a little something like this: acoustic lead in, half band with growly verses, “epic” full band instrumentation with melodic and catchy vox in the chorus, bridge with screaming, repeat the chorus a few times. It gets a little tedious in a 14 track album. At least they try to do interesting things with the chords and key changes, I guess. Musically the album is fine, it's just a bit boring.
The worst track, by far, is Miracles. Seriously the sappiest, most melodramatic emo crap you've ever heard in your life (at least moreso than the usual Stone Sour/Slipknot fare). It was almost unbearable. Definitely drifting more towards pop rock, rather than the pop metal range where they've been sitting since their creation, with this album. The main problem with the album is the overabundance of programming and multi-track vox. It just gives me this feeling that it's all just artificial; its really unsettling.
If you're really into radio rock/metal then give this a shot. Otherwise I can't say I'd recommend it.
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